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Short Cuts (Vintage Contemporaries), by Raymond Carver

Short Cuts (Vintage Contemporaries), by Raymond Carver

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Short Cuts (Vintage Contemporaries), by Raymond Carver

Short Cuts (Vintage Contemporaries), by Raymond Carver



Short Cuts (Vintage Contemporaries), by Raymond Carver

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The nine stories and one poem collected in this volume formed the basis for the astonishingly original film “Short Cuts” directed by Robert Altman. Collected altogether in this volume, these stories form a searing and indelible portrait of American innocence and loss. From the collections Will You Please Be Quiet, Please?, Where I’m Calling From, What We Talk About When We Talk About Love, and A New Path to the Waterfall; including an introduction by Robert Altman. With deadpan humor and enormous tenderness, this is the work of “one of the true contemporary masters” (The New York Review of Books).  

Short Cuts (Vintage Contemporaries), by Raymond Carver

  • Amazon Sales Rank: #627975 in eBooks
  • Published on: 2015-05-25
  • Released on: 2015-05-25
  • Format: Kindle eBook
Short Cuts (Vintage Contemporaries), by Raymond Carver


Short Cuts (Vintage Contemporaries), by Raymond Carver

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Most helpful customer reviews

21 of 21 people found the following review helpful. Urges, images and muted longings. By A Customer Carver explores the neurotic undercurrents of urban dwellers. His characters are typically immersed in the Everyday where the repetitive force of the mundane has them mired in the mechanics of living: House-sitting, birthday parties, beer buddy fishing trips, boredom, initiation of an affair, two pals cruising, looking for a thrill. From these commonplace events, Carver produces stories that are pristine, using language scrubbed clean of verbal theatrics-no show off words, no eccentric constructions - just prose as clean and as spare as Hemingway's and honed dialogue that is simple, but in the way that we say Mozart is simple.The story beneath the undercurrents is what makes Carver so addictive. He describes urges, images, and muted longings that you have always felt, but never could express in words-until now.Take the story "So Much Water So Close To Home." A group of men go on a beer-bash fishing trip. Early into their trip, they discover the body of a nude woman floating face down in the river. The beer buddies figure to keep fishing! Why ruin a good fishing trip? She's dead already, what harm? After all, they're going to notify the authorities, only later, so as not to interrupt having a good time. The beer-induced logic is funny as hell, but the story's neurotic undercurrent explores sloth, inaction and soulless indifference, characters whose actions can only be sanctified after the factors of humanity and decency have been removed from the equation. The wife of one of the beer buddies serves as the story's conscious. When she discovers that her husband drank and fished while a dead body floated downstream, she is appalled, alarmed. To her every accusation of "What kind of man are you to have done this?" Her husband's consistent answer is "She was ALREADY dead." The marital rift over this issue reflects the story's title "So Much Water So Close To Home."These are among the best short stories ever penned. If you enjoyed "The Killers," by Hemingway or any of John Cheever's short stories you will be rewarded by reading Carver.

14 of 15 people found the following review helpful. Raymond Carver is an exceptional short story writer By A Customer Robert Altman made a wonderful film in the 90s based on 9 short stories published by famous American short story writer Raymond Carver. The film was entitled "Short Cuts" and this publication brings together these 9 stories (including a poem) which were culled from several original Carver publications. The book opens with an introduction by Altman who confesses to taking small liberties with Carver's stories and its characters but without compromising their integrity. Those who have seen the movie will concede that the changes in fact give the entity a coherence that would otherwise be missing. But as a collection of short stories. they can and should be read as standalones. Carver is a master of social commentary, using anecdotes of casual human behaviour to capture the absurdity of modern American life. These candid snapshots may not conform with the dictates of conventional fictional writing in that they may lack a beginning, distinct plot development and a neat ending. Often it isn't even the events that trigger off the response of the characters that are significant but the fact that they respond in a certain way that is interesting from the view point of understanding human behaviour. Carver seems to be saying that sometimes the strange things that happen to us are all due to chance and that like it or not, we need to factor chance into the equation of living. As a short story writer, Carver is exceptional. He has that rare ability to communicate some essential truth about the human condition without using melodrama or any of the other techniques frequently used by lesser writers to captivate and sustain our interest. The 9 stories in this collection are individually separate entities which exist in their own right. No character appears anywhere but in the story he originates from. The situations they capture are also pretty diverse. Yet, they don't seem disjointed when you read them in sequence. They are thematically bound together by Carver's magic which may be hard to define but there all the same. I found every one of them absorbing and captivating. Read this first before you watch the movie. You'll enjoy both better.

4 of 4 people found the following review helpful. Still Carver, but not the best selection By Bryan Byrd Raymond Carver's stories are far from universally appealing - my wife hates his style - yet I find many of his stories to be extremely poignant and affecting. For whatever reason, I seem to be very open to the minimalist method he uses to tell these vignettes, or at least I find it very effective at transmitting what I believe to be Carver's aims.The stories in 'Short Cuts', as well as his other collections, are about ordinary people doing ordinary things. There is no weirdness for weirdness sake, no post-modern literary games; Carver examines the absolute commonplace with a microscope. To anyone not familiar with his stories (and even to some that are), one might wonder what possible value that could hold. Yet along with the everyday, there is also some small event that occurs during the story, sometimes something as small as a lost key or as large as stumbling upon a dead body; but something that causes one character to look at their wife or husband and really see them as a person, and not just as extras in their own story. Whether these characters come to know each other in positive or negative ways isn't as important as the idea that they are no longer isolated within themselves - willingly or not they are confronted with the fact that they are part of the rest of humanity.Those are the ideas that I take away from his stories at least. Some stories seem to communicate this better than others, and while the selection included in 'Short Cuts' still reflects what I like about Carver, I found this collection inferior to 'Cathedral', the other book of his stories that I've read. Another problem with this specific collection is that it is made up of stories already published elsewhere - if you decided to buy another collection later, you will automatically be duplicating some of the stories. Better to skip this format and get one of the other collections - you'll still be getting everything that makes Carver Carver, and reduce the chance of 'double-dipping' should you want more.

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Short Cuts (Vintage Contemporaries), by Raymond Carver
Short Cuts (Vintage Contemporaries), by Raymond Carver

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