Call If You Need Me: The Uncollected Fiction and Other Prose (Vintage Contemporaries), by Raymond Carver
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Call If You Need Me: The Uncollected Fiction and Other Prose (Vintage Contemporaries), by Raymond Carver
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Raymond Carver’s complete uncollected fiction and nonfiction, including the five posthumously discovered “last” stories, found a decade after Carver’s death and published here in book form for the first time. Call If You Need Me includes all of the prose previously collected in No Heroics, Please, four essays from Fires, and those five marvelous stories that range over the period of Carver’s mature writing and give his devoted readers a final glimpse of the great writer at work. The pure pleasure of Carver’s writing is everywhere in his work, here no less than in those stories that have already entered the canon of modern literature.
Call If You Need Me: The Uncollected Fiction and Other Prose (Vintage Contemporaries), by Raymond Carver- Amazon Sales Rank: #138028 in eBooks
- Published on: 2015-05-25
- Released on: 2015-05-25
- Format: Kindle eBook
Amazon.com Review This varied collection of fiction and prose from the late, great Raymond Carver comes, once again, with an introduction by his widow, Tess Gallagher. The posthumous Carver industry, as overseen by Gallagher, rivals only that of Sylvia Plath for its thoroughness. Perhaps it's no coincidence: both were singular, contagiously influential writers who died too early. But Plath died famously miserable, while Carver died famously happy, having conquered alcohol, loneliness, and obscurity--having conquered, indeed, everything but his own disobedient cancerous cells.
Call If You Need Me includes works previously collected, as well as some that have never been seen before. Five new stories, discovered by Gallagher among Carver's papers, are themselves worth the price of admission. Particularly haunting is "Kindling," a tale of a man who rents a room in a house for a few nights in the hopes of writing a letter to his wife. "He'd just spent twenty-eight days at a drying-out facility," we read. "But during this period his wife took it into her head to go down the road with another drunk, a friend of theirs." The main elements here: a river, a couple in the other room, an unfinished letter waiting on the desk. All this is vintage Carver, as well wrought and engrossing as the Cathedral stories.
Following the new fiction are sections devoted to book reviews, introductions, and early stories. Each presents Carver in a different pose, a different voice. It's interesting and illuminating to compare his casual, often catty discussions of contemporary literature with his deeply felt autobiographical essays. Despite the mysterious purity of his writing, he's more than capable of engaging in literary feuds and pissing matches. Not to be missed, however, is the wrenching autobiographical piece "My Father's Life," which previously appeared in Fires. Also named Raymond, Carver's father struggled with alcohol, failure, and mental illness just as his son did--and just as his son did, he wanted to come out the other side and see his life clearly. This is an essay about how people blur into their parents, echo them even as they leave them behind. Trying to reckon with his father's passing, Carver also reckons with his own life: his constant struggle to keep his eyes open, to write something good or maybe true, to write something that would outlast him. --Emily White
From Publishers Weekly For fans of Carver, who died in 1988, the five newly discovered stories collected here are like a stash of diamonds stumbled upon in a long-abandoned mine. The writer's style is, as always, spare and succinct, demonstrating Carver's ability to see deep into the human heart and expose human frailty in a way that leads readers to understand things they have known all along but never before identified. The title story deals with the dissolution of a marriage, a subject Carver practically had a patent on. A couple, both engaged in affairs, decide to spend a quiet summer together in an attempt to mend their marriage. "Kindling" concerns a recovering alcoholic who tries to exorcise his demons by chopping a pile of logs into kindling. Possibly the strongest narrative is "What Would You Like to See?" in which a couple who have been bad tenants in the past try to redeem themselves by leaving their rental in spotless condition. Rewarded with a good-bye dinner, they congratulate themselves on their cordial relationship with their landlords, only to be snubbed the next morning when an unfortunate incident changes the tenor of their leave-taking. Carver's many fans will initially be attracted to this collection by the new stories, but they won't be disappointed by the remainder of the book, which includes five early stories, a fragment from a novel and assorted nonfiction piecesAbook reviews, essays and brief meditationsAthe most interesting of which focus on Carver's theories of fiction writing. (Jan. 16) Copyright 2000 Reed Business Information, Inc.
From Booklist The late Raymond Carver unwittingly spearheaded the literary movement called minimalism, and even though that school of writing is rather passe these days, Carver will remain forever in the pantheon of important U.S. short story writers. His widow, writer Tess Gallagher, with the help of editor William L. Stull, has compiled what she calls the "last of the last": Carver's uncollected stories, including some never before published. To a one, they demonstrate the author's characteristic bare-bones style as he placed characters of modest means and resources into the kind of ordinary crises that define ordinary lives. Gathered here, too, but taking a back seat to the stories, are all the nonfiction pieces left uncollected at the time of Carver's death. These include essays, introductions, and book reviews; and in these, his trademark pared-down prose style worked as effectively as in his short stories. Also appearing here is a fragment of a novel, which, in only seven pages, can't be seen as anything close to a developed work. Brad HooperCopyright © American Library Association. All rights reserved
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Most helpful customer reviews
13 of 15 people found the following review helpful. Carver for friends By Cliente Kindle Try to rate a Carver short stories collection is like trying to rate your father actions. You just can't judge him, you only can stare at him. You can even try to understand him, but you don't really have to. There is something beautiful and small hidden in every adjective, every description, every end of a story. Raymond Carver's love for human actions is everywhere in his writing. He puts big attention in little details, uncovering the small moments in every relationationship. You and your wife. Your wife and her friends. Tons of couples having dinner with other couples. Every little thing is a whole world for Carver.This book comes with four new stories recently discovered, a couple of great essays (the great "My father's life"), early stories, introductions, books reviews and a small uncomppleted fragment of a novel. Definitively, it's Carver for friends. If you are not familiar with his books, you should start with his most famous books, as "What we talk abgout when we talk about love", or his first collection of stories, "Will you please be quiet, please?". Any other case, you are welcome to enter this house.
5 of 6 people found the following review helpful. Good stories, the rest is fluff By Ubaid Dhiyan Call If You Need Me is a collection of writings by Raymond Carver that wouldn't fit into any of his many short story collections. This anthology has five previously unpublished stories as well as a smattering of essays, notes and book reviews. I enjoyed the stories, of the other writing there were hits and misses - the introductions and the book reviews for example were there merely for the sake completeness and don't really serve much of a purpose. Recommended for the short stories.
9 of 12 people found the following review helpful. New stories great; disappointing book for real Carver fans By A Customer I am excited that there are "new" stories by Raymond Carver. "Call If You Need Me" and "Kindling" are among his best. The rest of the book is disappointing to me: I didn't realize that this would just be the new stories tacked on to NO HEROICS, PLEASE. Essentially, serious readers of Carver's work are being asked to buy the same book twice. "Call If You Need Me" can be found in this year's O. Henry anthology, and "Kindling" can be found in the current edition of Best American Short Stories. The other new stories, I guess, can be found in past issues of Esquire magazine. If the new stories were instead collected in some other way - say, in a slim volume alone, or with some unpublished work by other worthy writers, then I wouldn't be as disappointed. I was expecting a new book altogether -- not just new pages. Still, these stories need to be read. NO HEROICS, PLEASE is a book worth owning, too. If you don't already own it, then I recommend this title. Otherwise, find the new stories elsewhere.
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